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2005 horror film by Andrew Douglas
The Amityville Horror is a 2005 American supernatural horror film directed by Andrew Douglas and0️⃣ starring Ryan Reynolds, Melissa George, and Philip Baker Hall. It also featured the debut of actress Chloe Grace Moretz. Written0️⃣ by Scott Kosar, it is based on the novel The Amityville Horror by Jay Anson, which was previously adapted into0️⃣ the 1979 film of the same name, while also serving as the ninth film in the Amityville Horror film series,0️⃣ which documents the experiences of the Lutz family after they move into a house at 112 Ocean Avenue, Long Island.0️⃣ In 1974, real-life mass murderer Ronald DeFeo Jr. killed six members of his family at the same house in Amityville,0️⃣ New York.
The film was released in the United States on April 15, 2005, by Metro-Goldwyn-Mayer (MGM) and Dimension Films. It0️⃣ received negative reviews, with many calling it derivative to the original film but saying it didn't deliver anything new. It0️⃣ grossedR$108 million on aR$19 million budget.
Plot [ edit ]
At 3:15 AM on November 13, 1974, Ronald DeFeo Jr. murdered his0️⃣ entire family at their house at 112 Ocean Avenue in Amityville, New York. He claimed that he was persuaded to0️⃣ kill them by voices he heard in the house.
One year later, a married couple George and Kathy Lutz move into0️⃣ the house along with Kathy's three children from a previous marriage, Billy, Michael, and Chelsea. The family soon begins experiencing0️⃣ paranormal events in the house. Chelsea claims that she has befriended a girl named Jodie, a name belonging to one0️⃣ of the murdered DeFeo children.
One night the couple decide to go out, and they hire a babysitter to watch the0️⃣ three kids. When the babysitter, Lisa, arrives, they come to find out that she had previously been hired to babysit0️⃣ for the DeFeos. Lisa tells them about the murders that took place in their house. When she goes to Chelsea's0️⃣ room, Chelsea tells her that she is a bad babysitter, claiming that Jodie told her so. Lisa begins to scold0️⃣ Jodie for being the reason behind her getting fired. Then Billy dares Lisa to go inside the closet (the same0️⃣ closet where Jodie was murdered), and she gets locked inside. After a few seconds, she encounters Jodie herself and begs0️⃣ to be let out. She goes into shock and the paramedics arrive to take her away; on the way to0️⃣ the hospital, Lisa tells Kathy that she had seen Jodie.
George's behaviour towards Kathy and her children becomes abusive and the0️⃣ paranormal activity continues. One night, George hears Harry barking in the boathouse. Seemingly possessed, he grabs the axe and proceeds0️⃣ to murder the family dog after mistaking it for a demonic apparition. The children look for Harry the next day,0️⃣ with George denying he knows where he is, despite Billy's suspicions.
Kathy asks the priest Father Callaway (Philip Baker Hall) to0️⃣ bless the house, as a protective measure to prevent any future paranormal incidents, but Father Callaway flees the house when0️⃣ he encounters such occurrences himself. Kathy discovers that the house once belonged to a cult preacher named Reverend Jeremiah Ketcham,0️⃣ whose evil actions towards Native Americans during his "mission" in 17th-century Amityville are said to be the cause of the0️⃣ haunting. Meanwhile, as George is walking through the basement of the house, he encounters the apparitions of the various Native0️⃣ Americans who were tortured and killed there by Ketcham centuries ago. Entering a dimly-lit room, George encounters Ketcham himself (though0️⃣ he is not aware of who he is), and the ghostly figure of the evil missionary turns around, picks up0️⃣ a knife, and slits his throat in an act of recreating his suicide, covering George with blood, and causing him0️⃣ to become nearly completely possessed.
Kathy becomes convinced that George's abusive behavior is owed to a spiritual possession. Following urgent advice0️⃣ from Father Callaway, Kathy tries to evacuate her children from the house and escort them to safety, but the possessed0️⃣ George attempts to kill her and the children; Kathy knocks him out to prevent him from doing so and transports0️⃣ him away from the residence via boat. Subsequently, George is released from the spirit's control and the family permanently leaves0️⃣ the house. A title card states that the family left within 28 days of arriving and never returned. Jodie is0️⃣ shown standing in the now-empty house and screaming in terror while the house rearranges itself back to its original state0️⃣ before the family's arrival. Subsequently, she is pulled beneath the floor by a pair of disembodied hands.
Cast [ edit ]
Production0️⃣ [ edit ]
Although the film is set on Long Island, it was shot in Chicago, Antioch, Buffalo Grove, and Fox0️⃣ Lake, Illinois, and in Salem and Silver Lake, Wisconsin. The house used is a real 1800s home that was temporarily0️⃣ converted to add the famous quarter moon "eye" windows. The house is in Salem at 27618 Silver Lake Road. The0️⃣ movie facade costR$60,000. After production the movie facade remained on the house for a while and was eventually carefully removed.0️⃣ The famous quarter moon "evil eye" windows were preserved in sections of the walls which still have the movie bedroom0️⃣ wallpaper on the inside and siding with old looking movie paint on the outside. The windows were in good shape0️⃣ but were "aged" to match the house using peeling paint. In 2024 an estate sale was held at the movie0️⃣ mansion and the famous quarter moon "eye" windows, which had been in the attic since filming, were sold. The buyer0️⃣ lives in the same neighborhood and has the windows on display.
MGM claimed the remake was based on new information uncovered0️⃣ during research of the original events, but George Lutz later claimed nobody ever spoke to him or his family about0️⃣ the project. When he initially heard it was underway, his attorney contacted the studio to find out what they had0️⃣ in the planning stages and to express Lutz's belief they didn't have the right to proceed without his input. Three0️⃣ letters were sent and none was acknowledged. In June 2004, the studio filed a motion for declaratory relief in federal0️⃣ court, insisting they had the right to do a remake, and Lutz countersued, citing violations of the original contract that0️⃣ had continued through the years following the release of the first film.[3] The case remained unresolved when Lutz died in0️⃣ May 2006.
Release [ edit ]
Box office [ edit ]
The Amityville Horror opened on 3,323 screens in the United States on0️⃣ April 15, 2005[4] and earnedR$23,507,007 on its opening weekend, ranking first in the domestic box office. It eventually grossedR$65,233,369 domestically0️⃣ andR$42,813,762 in foreign markets for a total worldwide box office ofR$108,047,131.[2]
Critical reception [ edit ]
The film received negative reviews. It0️⃣ holds a 23% score on review aggregator website Rotten Tomatoes, based on 163 reviews, with an average rating of 4.13/10.0️⃣ The site's consensus states: "A so-so remake of a so-so original."[5] Metacritic reports a 33 out of 100 rating, based0️⃣ on 31 critics, indicating "generally unfavorable reviews".[6]
Manohla Dargis of The New York Times said, "Low-key creepy rather than outright scary,0️⃣ the new Amityville marks a modest improvement over the original, partly because, from acting to bloody effects, it is better0️⃣ executed, and partly because the filmmakers have downgraded the role of the priest, played in all his vein-popping glory by0️⃣ Rod Steiger in the first film and by a considerably more subdued Philip Baker Hall here."[4]
Peter Travers of Rolling Stone0️⃣ rated the film one star and commented, "First-time director Andrew Douglas crams in every ghost cliché, from demonic faces to0️⃣ dripping blood. This house springs so many FX shocks it plays like a theme-park ride. Result? It's not scary, just0️⃣ busy. For the real thing, watch Psycho . . . The Shining . . . The Haunting . . .0️⃣ or The Innocents . . . What all those films have in common is precisely what the new Amityville Horror0️⃣ lacks: They know it's what you don't see in a haunted house that fries your nerves to a frazzle."[7]
Ruthe Stein0️⃣ of the San Francisco Chronicle thought "the truly shocking thing about the new version is that it's not bloody awful0️⃣ . . . The decision to use minimal computer-generated effects, made for monetary rather than artistic reasons, works to Amityville's0️⃣ advantage. It retains the cheesy look of the 1979 original, pure schlock not gussied up to appear to be anything0️⃣ else."[8]
Marjorie Baumgarten of the Austin Chronicle stated the original film was "an effective little tingler whose frights are steady, implied,0️⃣ and cumulative . . . but in the remake the frights are such that you’re wondering why the stubborn Lutzes0️⃣ don’t flee after the first night. Obviously, the filmmakers were keen to remake this film exactly because the technological advances0️⃣ of the last 25 years now permit more graphic displays of horrific imaginings and computer enhancements that can render the0️⃣ invisible world visible. Strategically, the new Amityville never intended to go for the subtler, implied horror of the original; this0️⃣ one would be all about scaring the pants off viewers. And in this, the movie generally succeeds as sudden scares0️⃣ and flashes of yucky imagery cause audience members to yelp aloud as if on cue . . . The most0️⃣ irritating aspect of the new movie, however, has nothing to do with comparisons but rather with some of the inherent0️⃣ illogic of the story. Why are we seeing 
of a hanged girl when we know she’s been shot in0️⃣ the head? Images seem to be grafted into the film that have little to do with the actual story. Maybe0️⃣ it’s a technique that succeeds within quick advertising spots, but it piles confusion onto the art of storytelling."[9]
James Christopher of0️⃣ The Times observed, "There is something pleasurably batty about the way the family blunders on. The chills are satisfyingly creepy.0️⃣ The gory special effects are lavish and effective. And the wooden house itself is a sinister architectural pleasure. It’s total0️⃣ nonsense of course, but I left the lights on that night anyway."[10]
The real George Lutz denounced the film as "drivel"0️⃣ and was suing the filmmakers at the time of his death in May 2006.[11]
Home media [ edit ]
The film was0️⃣ released on DVD and UMD in separate widescreen and fullscreen editions on October 4, 2005. Bonus features include commentary by0️⃣ Reynolds and producers Form and Fuller; eight deleted scenes; On Set Peeks, a seamless branching feature with nine behind-the-scenes vignettes;0️⃣ Supernatural Homicide, with discussions about the murders that are the basis for the film with police and local residents; The0️⃣ Source of Evil, a behind-the-scenes look at the making of the film; and a photo gallery.
A VHS version was released0️⃣ the same day and was the final Dimension film released on VHS. Paramount Pictures (via Miramax) handles the digital distribution0️⃣ rights, including its own logo (though Warner Bros. Home Entertainment handles the home media distribution rights to the film in0️⃣ some countries along with the rest of MGM's post-April 1986 library[12]).
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