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2007 French horror film directed by Julien Maury and Alexandre Bustillo
Inside Film poster French À l'intérieur Directed by Julien Maury
Alexandre 🍐 Bustillo Written by Alexandre Bustillo Produced by Vérane Frédiani
Franck Ribièrer Starring Béatrice Dalle
Alysson Paradis Cinematography Laurent Barès Edited by Baxter 🍐 Music by François-Eudes Chanfrault Production
companies BR Films
La Fabrique de Films Distributed by La Fabrique de Films Release date June 13, 🍐 2007 ( ) (France) Running time 82 minutes Country France Language French BudgetR$2.5 million Box officeR$530,000[1]
Inside (French: À l'intérieur) is 🍐 a 2007 French horror film directed by Julien Maury and Alexandre Bustillo and starring Béatrice Dalle and Alysson Paradis. Written 🍐 by Bustillo, it is the first feature film from either director. It concerns the attack and home invasion of a 🍐 young pregnant woman (Paradis) by a mysterious stranger (Dalle) who seeks to take her unborn baby.[2] The film received generally 🍐 positive reviews from mainstream critics upon its release and was particularly well received among horror film critics, noting it for 🍐 being a genuinely scary and brutally violent example of the new wave of French horror.
Plot [ edit ]
On Christmas Eve, 🍐 four months after expectant mother Sarah Scarangella survives a car crash that kills her husband, she makes final preparations for 🍐 her delivery the following day. Her baby is overdue. Still reeling from her husband's death, Sarah has grown moody and 🍐 depressed. She turns down her mother's request to stay with her for the night and has asked her employer Jean-Pierre 🍐 to take her to the hospital for her eventual delivery.
That evening, a mysterious, unidentified woman arrives at Sarah's door, asking 🍐 to use the telephone to call for help. Sarah lies that her husband is sleeping and she does not want 🍐 to be disturbed, but the woman tells her that she knows that he is dead. When the visitor persists on 🍐 coming in, Sarah, a professional photographer, attempts to take her photo through a window and telephones the police. When they 🍐 arrive, the woman has already vanished. The police assure Sarah that she will be fine, arranging to have a patrol 🍐 car visit throughout the night.
Upon developing her photos, Sarah recognizes the woman in the background of an earlier photo she 🍐 had taken, indicating she was stalking Sarah. Sarah telephones Jean-Pierre, asking to have the photos enhanced. As she goes to 🍐 bed, the woman arrives in the bedroom, awakening Sarah with scissors puncturing her pregnant belly. Sarah fights the visitor off 🍐 (who slashes part of Sarah's face with the scissors) and locks herself in the bathroom, where the woman tries to 🍐 gain entry. The woman makes clear that her intentions are to take Sarah's child for herself.
Jean-Pierre arrives, and not knowing 🍐 what Sarah's mother looks like, takes the woman's word that she is the mother. Not long after her actual mother 🍐 Louise arrives, arousing his suspicion. Louise heads upstairs to check on her daughter. Believing her to be the attacker, Sarah 🍐 accidentally kills Louise by stabbing a needle into her neck. Jean-Pierre is later stabbed to death by the intruder. The 🍐 police arrive to check up on her with a prisoner in tow. Not knowing what Sarah looks like, the police 🍐 take the woman's word that she is Sarah and everything is fine. As they are about to leave, the police 🍐 realize the woman who answered the door was not pregnant and return to the home. The first officer is stabbed 🍐 to death with knitting needles as he attempts to arrest the attacker. The second is shot in the back of 🍐 the head as he attempts to help Sarah. The attacker turns off the power as the third enters, waiting until 🍐 they go to turn it back on before shooting the officer and stabbing his prisoner in the head.
Sarah confronts the 🍐 woman, and both injure each other with various household appliances. Sarah manages to burn off half of the woman's face 🍐 with an aerosol container and cigarette. The woman flees, and after being cornered by Sarah, reveals that she was the 🍐 other driver in the car accident, which killed her unborn baby. She wants Sarah's baby as a replacement.
Before anything else 🍐 can happen or be said, the two are interrupted by the revival of the third police officer; having been shot 🍐 in close proximity by the woman with his riot gun, he survived the attack but is now disoriented and blinded. 🍐 He confuses Sarah with her attacker and beats her in the stomach with his club, forcing her water to break. 🍐 The woman comes to Sarah's aid and brutally kills the officer; but Sarah, now lying on the stairs, has begun 🍐 to give birth and the baby is stuck. The woman performs a Caesarean section on Sarah with scissors, saving the 🍐 infant but killing Sarah in the process. The woman then sits in a chair and begins rocking the baby, who 🍐 briefly cries, as she looks soulfully at Sarah who lies dead on the steps.
Cast [ edit ]
Béatrice Dalle as La 🍐 Femme
Alysson Paradis as Sarah Scarangella
Nathalie Roussel as Louise Scarangella, Sarah's mother
François-Régis Marchasson as Jean-Pierre Montalban
Jean-Baptiste Tabourin as Matthieu
Dominique Frot as 🍐 The Nurse
Claude Lulé as The Doctor
Hyam Zaytoun as Policewoman
Tahar Rahim as Policeman #1
Emmanuel Guez as Policeman #2
Ludovic Berthillot as BAC 🍐 Policeman #1
Emmanuel Lanzi as BAC Policeman #2
Nicolas Duvauchelle as BAC Policeman #3
Aymen Saïdi as Abdel
Production [ edit ]
Directors Julien Maury 🍐 and Alexandre Bustillo
Julien Maury and Alexandre Bustillo met each other through a mutual friend. After the meeting, Bustillo sent Maury 🍐 a first draft of the script and Maury sent over some short films that he had worked on in the 🍐 past. According to Maury, "The first idea with the story was to change the sex of the killer. In horror 🍐 movies it’s always a guy chasing after young girls; it’s one of the clichés of the genre. So the first 🍐 main idea was changing the identity of the bad guy. We wondered what was the motivation for a woman to 🍐 hunt another woman?" The film was given a budget of 1.7 million Euros.[3]
Reception [ edit ]
Inside received mostly positive reviews. 🍐 Rotten Tomatoes reports a score of 85% based on 13 reviews, with an average rating of 7.61/10.[4]
Nathan Lee of The 🍐 Village Voice found the film to be a "nasty number" that was both "repellent" and "uncompromising"[5] while Harry Knowles of 🍐 Ain't It Cool News called it "off the hook awesome" and "a traumatically entertaining experience."[6] Jason Buchanon of AllMovie gave 🍐 the film a score of 4/5, and called it "a pitch-perfect balance of grinding tension and inventive gore"[7] while John 🍐 Fallon of Arrow in the Head gave it a perfect score of 10/10, and deemed it "a real horror film; 🍐 character driven, suspenseful as hell, smarter than the norm and gory as fuck."[8] Brad Miska of Bloody Disgusting gave Inside 🍐 a top score of 5/5, labeling it "one of the scariest movies I have ever seen in my life" before 🍐 concluding, "This is quite possibly the most violent, realistic and bloody slasher film ever assembled, ending on such a gut-wrenching 🍐 note that there's not a single person who could walk out of that theater feeling normal."[9] Bloody Disgusting later ranked 🍐 the film twelfth in their list of the Top 20 Horror Films of the Decade, with the article saying, "One 🍐 of the most audacious, brutal, unrelenting horror films ever made, Inside is perhaps the crown jewel of the new wave 🍐 of extreme French horror films."[10]
Inside was called "the most visceral slasher film of all time" by Steve Barton of Dread 🍐 Central, who awarded the film a score of 4½ out of a possible 5 and wrote, "The film may be 🍐 cruel, but it's executed with pure artistry. Haunting 
carry their own grotesque beauty and there is real emotional depth 🍐 anchored by a pair of powerhouse performances from the dueling ladies."[11] Inside was deemed an "excellently paced suspense movie" by 🍐 Kevin Carr of Film School Rejects[12] while Adrian Halen of Horror News praised it as "an amazing film" that "no 🍐 self-respecting horror fan should go without seeing."[13] Sarah Gopaul of Popjournalism found Inside to be "a gut-wrenching exhibition of intensity 🍐 and gore, propelled by strong performances from Dalle and Paradis."[14] Steve Dollar of The New York Sun opined that the 🍐 "darkly stylish and shockingly violent" film was the "essence of grindhouse" and "one of the most edge-of-the-seat, fingers-over-the-eyes flicks in 🍐 recent memory."[15]
While Scott Tobias of The A.V. Club admitted that Inside was "a superb piece of horror craftsmanship" that was 🍐 stylish, intense, and nerve-jangling, he criticized its frequent cutaways to the protagonist's in utero child, writing, "Where Inside crosses the 🍐 line is a visual device that periodically checks the baby's status as it sloshes around the uterus, like a CGI 🍐 ultrasound. Sometimes it's as peaceful-looking as the star baby in 2001; at other times, after a scuffle or a blow, 🍐 it's tossed about so violently that its survival is in question. While I recognize that no digital fetuses were harmed 🍐 during the making of Inside, there's something unseemly and grossly manipulative about treating the baby like some helpless variation on 🍐 the "Final girl" in a Halloween knockoff."[16] Kim Newman had a lukewarm response to the film, offering praise to its 🍐 unsettling and "quietly intense" first half while criticizing its descent into "gory farce" for its finale, writing, "Designed to provoke 🍐 extreme responses, Inside is conceptually among the most horrific movies ever made. In execution, it surprisingly lets the audience off 🍐 the suspense hook to go for CGI-assisted ketchup-sloshing in the almost cheerful Herschell Gordon Lewis manner rather than the nerve-stretching, 🍐 you-can't-watch-this approach of, say, Gaspar Noé."[17]
Release [ edit ]
Inside was released on 13 June 2007 in France.[18]
Remake [ edit ]
Hollywood 🍐 has shown interest in remaking the film; Maury and Bustillo were propositioned but both turned it down.[3]
Jaume Balagueró, the director 🍐 of REC, told Fangoria that he may be directing the remake in the future and that it would "accent the 🍐 terror of the pregnancy situation more than the gore".[19]
In 2009, Maury mentioned that there had been some problems with the 🍐 rights and the project was delayed. Furthermore, he was unsure if Balagueró’s was still attached to the project; "For us 🍐 this was really like a dream because we are big fans of Balagueró’s movies. For the first time it wasn’t 🍐 the case of a newbie making the movie of a big director, it was the exact opposite where a huge 🍐 director is making the film of two poor French guys. So we were proud of that."[3]
In 2024, it was announced 🍐 that the remake was back in production with Miguel Vivas, known for directing Kidnapped, set to direct.[20]
The remake was completed 🍐 in 2024 and released in the United States exclusively on video on demand on January 18, 2024. Directed by Miguel 🍐 Ángel Vivas from a screenplay penned by Jaume Balagueró, the film stars Rachel Nichols, Laura Harring, and Andrea Tivadar.[21]
See also 🍐 [ edit ]
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